Cloisonne painting craft

Cloisonne as an art crafts, its system of law that is on the bronze surface with colored enamel painted patterns around the pattern with copper or gold and silver inlay, and then burn branding for a high degree of fire. The process began in the Ming Dynasty Jingtai, and start-up with just the blue, so they are called cloisonne. Although the colors are now in place, but still using the previous name. Because Cloisonne has become the name of a process, rather than the color's name. Jingtai the Xuande said the son of Xuande emphasis on the rule of bronze and cast bronze, Jingtai to poetry at an early age during the period, a very detailed understanding of, and addicted to the deep, only for the cast refining, the Xuande have arrived in excellent shape and can not afford to re-seek a breakthrough on the Do not be provided in color the other on paths in an attempt to surprise move. Cloisonne finally have the create. Because they think in advance about the color of most charges pains, so after the success, but also of extreme love, all the Queen's no need cloisonne decorated Chen produced can not be bent as much as the number of species, where the ceramic material can not exactly have the making of tools, Chenghua period of succession Heritage industry, not changed and legacy, still trying to burn, so the items cloisonne Jingtai and fully integrated in the inter-Korean the most common. Subsequently through Hongzhi, Cheng-te, Jiajing, Longqing 4 North Korea, though is still burning, but are following the old conventions, Xuyinggushi, both in terms of quality can not match Jingtai and Chenghua years. Wanli later, although occasionally firing, not, as previously seen cases of plant-based home service officer, so after Chupin little. The end of Ming Dynasty I, failed to recovery. To the Qing dynasty Qianlong period, they began firing, and the bewildering variety of results is good, although it is not, and Jingtai, Chenghua than in the period, but later than Hiromasa Chupin no way inferior materials. Kang Yong of the artifacts present despite the emergence of a careful examination, however, whether the objects with the Emperor Qianlong of the system is no different, in fact Emperor Qianlong of the system, engraved with Kangxi, Yongzheng and model year, is not the Kangxi, Yongzheng and production.

By and large, the Ming Dynasty cloisonne copper tires better, mostly copper tires, body a bit heavy, so the multi-antique style, mainly used for imitation bronze glaze are natural mineral materials, colors deep and realistic, red, like Ruby Red, green, like a turquoise green. At this point the wire pinch too coarse, thick gold-plated part of the Jin-Shui. Glaze on the most had trachoma. Section of "Da-ming Jingtai year" or "Jingtai year", at the end of paragraph, both the side.

Than the Ming Qing Dynasty cloisonne technique has improved tire thin, pinch wire thin glaze to be bright than the Ming Dynasty, and no trachoma, of patterns, complex and varied, but less than the Ming Dynasty tattoo vivid, gold-plated part of the Jinshui thinner, but the gold is very beautiful.

The overall level of the Republic of China Cloisonne less than the previous generation, matrix thin, colorful and a floating sense of coarse workmanship. At this time only the "God-li", "Tak Hing as" the production of cloisonne technique, good quality. Modeling multi-Antique Bronze, or imitation, when Qianlong boutique, subsection, paragraph had already been carved. Cloisonne The furnishings are now more than not do real products.

Cloisonne now greatly improved, modeling diverse variety decoration has become friends with our international friends and contacts with each other the best gift of the.

Cloisonne painting craft