Another problem is that the supply of spare parts for the 16 S is extremely limited. Parts are not officially available from ARRI USA, although the service department keeps a few commonly used parts such as the motor drive couplings. Supposedly New York University bought the remaining stock of spare parts in the world to keep their ARRI 16S cameras going forever. It is important to be sure of the condition of any 16 S you consider purchasing. A severely worn camera cannot be economically repaired.
Drawbacks:
Advantages:
The 16 S was designed as a standard 16mm camera (its design predates the Super-16 format by 20 years). It is not an easy camera to convert to Super-16 because of the design of the gate and mirror. Apparently ARRI made approximately 25 Super 16 Arriflex ST's (with the Bayonet mount turret).
The 16S can accept 400 ft magazines. The magazines use a separate torque motor that can be removed from one magazine and placed on another. There are also very rare 200 foot magazines.
The 16 SB is the most common variant of the 16 S. The SB has one stainless steel ARRI Bayonet mount and two ARRI Standard mounts. This allows you to mount Bayonet mount lenses, expanding your lens choices, and making the highest-quality 16mm lenses available to the 16 S.
The 16 S is different than the 35IIC in that it has internal capacity for 100ft of film, the lens turret is divergent, the motor is mounted behind the camera allowing for a flat bottom, and the ground glass is mounted near the eyepiece. The 16 S divergent turret is designed to help prevent wide angle prime lenses from seeing the ends of longer primes mounted on the turret. The camera was meant to be used with 3 prime lenses mounted in the same manner as a Bolex.
Later 16S cameras (No. 5601+) have the standard viewfinder with a detachable eyepiece, the same as the 35IIC and 16BL, and the film door is beveled, not flat. Starting around No. 8001, the drive springs are covered and the sprocket guard has two rollers. The ribbing near the mag port catch was also eliminated.
The earliest 16St cameras (below No. 5600) have a viewfinder made by Carl Zeiss Jena, with a non-removable eyepiece. The film door is flat on these cameras, and the area near the magazine port is ribbed. The sprocket guard lacks rollers and the spring drive belts are exposed.
In many ways the 16 S follows the design paradigm of the Arriflex 35 IIC. Both are designed as MOS cameras. Both use a "bowtie" spinning mirror reflex design. Both use a 3-lens turret accepting ARRI mount lenses (later re-designated ARRI Standard mount when ARRI Bayonet mount was introduced). Both use a straight viewfinder tube in the "door".
Introduced in 1952 This was the first ARRI 16mm camera. The "St" designation meant "Standard", and the camera is also referred to as the Barflies 16S. This is one of the most successful ARRI camera designs and over 20,000 were made.
Arriflex 16S/ 16ST
This is one of the most successful ARRI camera designs and over 20,000 were made.
Video Capture: | No |
Image Stabilization: | No |
MegaPixel: | 10.0 - 20.0MP |
MegaPixel:10.0 - 20.0MP ARRI 16SR Family: 16SR, 16SR HS, 16SR II, 16SR II HS, 16SR 3, 16SR 3 HS, 16SR 3 Advanced, 16SR 3 Advanced HS ...
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Arriflex SR Super16 Movie Camera Package (2) 400 SR Magazines (S16 converted) Custom Flight Case with padding in excellent condition (2) SR Batteries and charger Viewfinder Extender Angeneiux 10-150 Zoom T2.2 (covers from 30mm up) Chrosziel Studio Follow Focus with whip and ...
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