However, most of the artists in "Banks of the
Interior" - especially the work of Portland Kristan Kennedy, Blair Saxon-Hill, Michelle Ross and Midori Hirose - formal game of abstraction and material use for more
land. The pair of balloons floating in the Kennedy Center "EGSOEYS" seem to have been formed by accretion overflow a couple of cans
of paint located on the surface of linen, and spills in a drop cloth of study. In Saxony-Hill "what this
means and what comes after," the idea of painting seems to be abstracted as sculpture: a big white rectangle against a wall, like a
virgin canvas, supporting a piece of cloth either stretched across his
forehead and another wrapped in a corner without strength, all delicately dotted with knots of concrete.
Ross develops similar ideas in her new paintings, which incorporate
fabric samples in their compositions, as substitutes for painted
color blocks, to unravel from the image plane in space. As a sculptor only exposure, Hirose offers a couple of Sol
LeWitt-inspired blocks, which take the rigid geometry of minimalism, only to undermine its
purity fantastically psychedelic patterns painted sand armor locked in transparent acrylic.
Post by shanshan Du Environment @2011-12-02 11:36:22